Space 1
Space 1 - Task
Ikebana Aesthetics Program - Zoom Ikebana DojoLearn about the four Ikebana elements online in September & October 2020. Beginners welcome. 日本からのご参加歓迎いたします。
When:
Session 1, 4:00 - 4:30 PM, 3 October 2020 (Melbourne Time)
Session 2, 4:00 - 4:30 PM, 10 October 2020 (Melbourne Time)
Who can Join: Anyone, regardless of ikebana school, stage of learning or country of residence. Beginners welcome. You must be familiar with Zoom. Sessions will be conducted in English.
How Much: Aus $10 for one session. Pay by bank transfer (within Australia, type your name in reference) or credit card or Paypal.
Overview
Space refers to an expanse of three-dimensionality in which objects and events occur (positive), or in which there is nothing (negative). In the study of ikebana, it is very important to consider the relationship between negative space (the area between and around your materials), and positive space (where your materials and vase are).
First let’s focus on how to use negative space in your design. Negative space is an empty area surrounded and shaped so that it acquires form or volume. Pay attention to the area around, within, or between objects.
Negative space is often called Ma in Japanese art, though only if the negative space is really effective in creating poetry (see sample below). Not all negative spaces are Ma.
Ma is hard to learn. There is no easy formula to learn it. Discussion about Ma tends to be philosophical, spiritual and sometimes almost mysterious.
Pine Trees, Tohaku Hasegawa (1595). https://en.wikipedia.org/wiki/Ma_(negative_space)
The good news is that all of you can learn it one day after some (a long) period of training. You will learn that what you created in positive spaces are important to make negative space around them effective.
First, let's start meditating on the size of a negative space in your design. Create one negative space in your design; and observe the effect of the space by changing the size of it.
Always be conscious of negative space in making ikebana. In general beginners of ikebana tend to use too much material and leave little negative space in their designs. Their works tend to be too much, too busy, too messy, too strong or too heavy, and consequently, has no poetry.
Ask “can breeze go through my work?”. If you remember to ask that, that would be enough lesson for Space 1.
For more about Space in Ikebana, refer to a short essay, "Introduction to Ikebana Aesthetics" by Dr Shoso Shimbo (available shortly in English & Japanese).
Objectives in Space 1
1. Create a single negative space in the centre of your design. We will be making a 2-base arrangement.
2. Learn how to interpret basic ikebana diagrams.
3. Use moribana style (use kenzan, florist form or others for easy fixture).
4. Change the gap between two bases. Notice the effect of the negative space.
What You Need
First, let's start meditating on the size of a negative space in your design. Create one negative space in your design; and observe the effect of the space by changing the size of it.
Always be conscious of negative space in making ikebana. In general beginners of ikebana tend to use too much material and leave little negative space in their designs. Their works tend to be too much, too busy, too messy, too strong or too heavy, and consequently, has no poetry.
Ask “can breeze go through my work?”. If you remember to ask that, that would be enough lesson for Space 1.
For more about Space in Ikebana, refer to a short essay, "Introduction to Ikebana Aesthetics" by Dr Shoso Shimbo (available shortly in English & Japanese).
Objectives in Space 1
1. Create a single negative space in the centre of your design. We will be making a 2-base arrangement.
2. Learn how to interpret basic ikebana diagrams.
3. Use moribana style (use kenzan, florist form or others for easy fixture).
4. Change the gap between two bases. Notice the effect of the negative space.
What You Need
- secateurs
- two kenzan or florist foam or wire packed container (see a task for Balance 1)
- container – any low flat container, even a cup.
- flower materials:
- branch material - Black Sheoak
- flower material - carnation
- flower materials / fillers - thryptomene
How to Make It
You will receive Space 1 Session Notes with step-by-step instructions for making your arrangement after your payment is received. Our free video and the Session Notes will help you make your ikebana work.
How to Apply & Participate
Apply by 30 September for Session 1, 4:00 - 4:30 PM, 3 October 2020
Apply by 6 October for Session 2, 4:00 - 4:30 PM, 10 October 2020
Step 2 - Pay
(2) If your application is accepted, you will receive an email with instruction on how to pay. Please visit our orientation page for more practical advice on how to use Ikebana Dojo.
(3) Upon receipt of your payment, we will send you an email of invitation to the session & session notes on how to make our sample work.
Step 3 - Get Ready
(4) Do your assignment. Make your ikebana work before the session.
(5) Take a photo of your work (less than 0.5 Meg.) and send to ikebana.dojo@gmail.com at least 24 hours before the session starts if you want detailed feedback.
(6) Alternatively, you can share the photo of your work during the session. Find a way to share your file using Zoom.
Step 4 - Join Dojo
(7) Join the session. Prepare your work and its photo.03:55 PM Australia/Melbourne: Please join the session, and check your connection etc.
04:00 PM Australia/Melbourne: Let’s start session together.
04:30 PM Australia/Melbourne: Session closes
04:00 PM Australia/Melbourne: Let’s start session together.
04:30 PM Australia/Melbourne: Session closes
Step 5 - Rework
(9) Share a photo of your work to Ikebana Gallery Facebook Page. See how to apply for Ikebana Gallery Award if you are a student.(10) If you would like to join Zoom Ikebana Dojo again, please visit our pages on Ikebana Aesthetics Program or Special Program.
Samples for Advanced Students
Ikebana Aesthetics Curriculum
生花道場カリキュラム(日本語)
https://en.wikipedia.org/wiki/Ma_(negative_space)